Le Printemps sera

The rattan medallion chair. Superb handcrafted rattan chair, made on demand.

Price upon request.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, the Anatole chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, the Anatole chair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: stackable

Indoor/Outdoor: Semi-outdoor

Fiber: Brilliant (Rilsan)

Colours: Gloss Bordeaux, Gloss Yellow, Gloss Putty

Structure materials: Dark rattan (Malacca)

Weaving range: prestige

Colours: Brilliant Burgundy – Pantone 188, Jade Green – Pantone 556, Brilliant Mint Green – Pantone 5787

Seat height: 45cm

Overall height: 87cm

Overall width: 50cm

Overall depth: 45cm

Weight: 5kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Imposing vintage 1900 style armchair but light (7kg), "tailor-made" woven in synthetic fiber.

Price upon request.

This synthetic fiber armchair can be left outside friends in order to preserve the quality of the rattan furniture, it is imperative to store it in a dry place during the winter season. It does not support prolonged bad weather and/or high permanent humidity.

This large rattan armchair will embellish your kitchen, your living room, your terrace, your veranda or your restaurant.

Overall height: 80cm

Overall width: 64cm

Overall depth: 62cm

Weight: 7kg

Seat height: 45cm

Seat width: 43 cm wide seat

Indoor/Outdoor: Semi-Outdoor

Stackability: Not stackable

Material: dark rattan

Weaving fiber: Brilliant (Rilsan)

Colour: Brilliant Red – Pantone 1807, Brilliant Old Rose – Pantone 7522

Finish: Varnish

The Cruise Line armchair is also presented here in natural rattan fibre.

Rattan, a material with extraordinary properties with limits. Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before drying the furniture to

so that it can dry out. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

Elephants Bookends in brass. 

Wooden bases painted black lacquer and patinated. 

Original and fun decor objects.

Two superb pineapple candle holders in white porcelain and brass.

17cm high.

A very nice presence.

Large porcelain candle holder 50 cm high. These candlesticks are made of white porcelain adorned with a majestic white porcelain parakeet. The base of the candlestick is square with its column in white porcelain and ornate brass in the Napoleon III style. Admirable pieces in the baroque, romantic and naturalistic style that we adore.

Pineapple candlesticks in yellow porcelain and brass.

A very nice achievement.

The pair.

Superb Superb blue and white crane figurine made in porcelain and brass.

A current craft work.

The legs of the bird and aquatic plants are made of brass.

A remarkable piece for a refined and unique interior decoration.

Superb Superb blue and white crane figurine made in porcelain and brass.

A current craft work.

The legs of the bird and aquatic plants are made of brass.

A remarkable piece for a refined and unique interior decoration.

Large table lampe Pineapple in coral porcelain and brass.

A beautiful craftsmanship for a refined and natural interior decoration.

Superb flamingo figurine made of porcelain and brass, 62cm by 31cm wide by 24cm deep. A current craft work. The legs of the bird is made of brass. A remarkable piece for a refined and unique interior decoration.

Large decorative panel made with a collage of palm prints. entirely realized manually in workshop in Italy. This decorative panel is the result of craftsmanship, great expertise and great finesse. This palm engraving, is engraved and printed on old presses of the 1800s in black & white. Then each image is colored by hand with gouache and watercolor

Large decorative panel made with a collage of palm prints. entirely realized manually in workshop in Italy. This decorative panel is the result of craftsmanship, great expertise and great finesse. This palm engraving, is engraved and printed on old presses of the 1800s in black & white. Then each image is colored by hand with gouache and watercolor

Table Lamp Circus in Town. A wonderful handmade decorative lamp, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

Table Lamp Circus in Town. A wonderful handmade decorative lamp, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

Interioro night light. A wonderful handmade decorative lamp, Florence, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

Pompei night light. A wonderful handmade decorative lamp, Florence, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

Table lamp Galeria di Uffici, Italy. A wonderful handmade decorative lamp, Florence, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored.

Interioro night light. A wonderful handmade decorative lamp, Florence, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

Pompei night light. A wonderful handmade decorative lamp, Florence, Italy. A magnificent craftsmanship of remarkable finesse. In each lamp, an atmosphere or landscape is created by a juxtaposition of exquisite hand-engravings that are engraved and printed on antique presses from the 1800s. Each image is printed in black and white and then hand-colored to the gouache and watercolor.

The Sophia armchair from the 1920s. Superb handcrafted armchair in woven rattan.

Manufacturing on demand.

Welcoming with its fully woven high backrest and generous shapes, the Sophia armchair is an armchair for a restaurant, bistro, café, garden or dining room in woven rattan in the colors of your desires, non-stackable, is as beautiful inside as it is outside .

Very comfortable, the Sophia armchair is light and very resistant.

This armchair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, the Sophia armchair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Semi-Outdoor

Fiber: Satin (Raucord)

Colours: Satin White, Satin Soft Blue – Pantone 5493, Satin Ivory – Pantone 7506

Structure materials: Light rattan (Manila)

Weaving range: masterpiece.

Seat height: 45cm

Seat width: Wide seat (43 cm).

Overall height: 120cm

Overall width: 62cm

Overall depth: 72cm

Weight: 7kg

Varnish and paint: Unvarnished

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

Superb handcrafted armchair in woven rattan.

This cane rattan armchair with natural slat underlined with tinted slat naturally finds its place as a garden armchair, living room armchair in town, veranda armchair facing the sea.

This chair must be protected from the rain.

Manufacturing on demand.

Welcoming with its fully woven backrest and its generous shapes, this armchair is a restaurant armchair, in the colors of your desires, non-stackable, and is as beautiful inside as it is outside.

Very comfortable, this cane rattan armchair is light and very resistant.

A magnificent French craftsmanship, this armchair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Semi-Outdoor

Fiber: Satin (Raucord)

Colours: Satin Chocolate – Pantone 476, Satin Ivory – Pantone 7506, Satin Terracotta

Structure materials: Light rattan (Manila)

Weaving range: Classic

Seat height: 45cm

Seat width: Wide seat (43 cm).

Overall height: 102cm

Overall width: 61cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

The Gabrielle chair. Superb handcrafted armchair in woven rattan.

Manufacturing on demand.

Welcoming with its fully woven backrest and its generous shapes, the Gabrielle armchair is an armchair for restaurants, bistros, cafés, gardens or dining rooms in woven rattan in the colors of your desires, non-stackable and is as beautiful inside as it is outside.

Very comfortable, the Gabrielle armchair is light and very resistant.

This armchair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, the Gabrielle armchair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Semi-Outdoor

Fiber: Satin (Raucord)

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat (43 cm).

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

Gravure printing unit: the Blue Crane from Jean-Jacques Audubon.   

From the monumental work of Jean-Jacques Audubon: The Birds of America.  

Jean-Jacques Audubon is an ornithologist and naturalist born in Haiti in 1785 to French parents.  

It was later naturalized American.

Reproduce in size all the birds of North America: this creasy project, born in the mind of this self-taught painter of genius in the first half of the nineteenth century, will give birth to a monumental work: Birds of America , in which Jean-Jacques Audubon devoted thirty years of his life, and become the most quoted book in the world of art and history.  

Jean-Jacques Audubon was also the first in a society dedicated to the conquest of the continent, to advocate for the protection of nature, denouncing the killing of animals and habitat destruction.  

Limited quantities.

Gravure printing unit: Flaminco Rose from Jean-Jacques Audubon.  

From the monumental work of Jean-Jacques Audubon: The Birds of America.  

Jean-Jacques Audubon is an ornithologist and naturalist born in Haiti in 1785 to French parents.   

It was later naturalized American.

Reproduce in size all the birds of North America: this creasy project, born in the mind of this self-taught painter of genius in the first half of the nineteenth century, will give birth to a monumental work: Birds of America , in which Jean-Jacques Audubon devoted thirty years of his life, and become the most quoted book in the world of art and history.   

Jean-Jacques Audubon was also the first in a society dedicated to the conquest of the continent, to advocate for the protection of nature, denouncing the killing of animals and habitat destruction.  

Limited quantities.

High candlestick 48 cm tall made in porcelain and brass. 

Pretty colorful birds on a flowering branch sins. 

An ornated realization porcelain and brass. 

Exquisite refinement, a very beautiful decorative object. 

Charming, elegant and bucolic.

Beautiful pair of engravings of peacock by Otoole.

Great size: 90 high by 60cm large.

Varnished black and silver wood and weathered old Frame .

Reissue of an old early 19th-century inspired glass jewelry box. Cushion aged to perfection, an obsolete effect guaranteed!

A pretty romantic, elegant and refined jewelry box.

Table lamp with its large blue porcelain parrot on a brass branch.

Height of 55cm, width 22cm and depth 22cm.

Wonderful.

This large table lamp with a large blue parrot is sold without its lampshade.

Large table lamp with its two porcelain parakeets on a pretty branch also made of porcelain.

Porcelain base.

Sold without lampshade.

Tall table lamp in white and blue porcelain hand painted floral pattern and aged brass.

Dimensions of the Emma lamp:

- Height: 57cm

- Width: 16cm

- Depth: 16cm

The Emma table lamp is sold with its round cotton lampshade 20cm high by 30cm wide.

This lamp is only sold in pairs.

Leopard figurine in brass. 

The base is black painted porcelain. 

A very nice presence and finish for this premium decorative object.

Oak farm table and blue stone tray from Hainaut (registered trademark) made only by custom order. Presented to you here with its tray of 260cm on 100 cm of width, height 76cm. A craftsmanship of very high quality on order exclusively. A furniture collection guided by a conductive line: the use of raw materials, aged or weathered.

Baroque mirror Sylphide.

High wooden frame: 172 cm by 54cm wide.

Wood carvings on plaster, antique painting, silver color.

Contemporary mirror, baroque style beautifully carved. Beautiful finishes.

An original piece of very qualitative current manufacturing.