STYLES

La Maison Arteslonga likes to explore and bring together styles and eras in a desire for harmony and softness.

Shabby Chic

Unique and exclusive vintage shabby chic and Country Chic furniture.   A touch of glamor, elegance, romance that emerge from each shabby chic furniture made in weathered wood, distressed leather, vintage velvet, limed paint and more.   Maison Arteslonga To find more, please click here.

Modernist

A timeless collection of furnishings inspired by modernist lines of the Modernism, cultural and artistic movement that animated Western societies in the late nineteenth century until the years 1930-1950 in the field of Art, Architecture, Interior design  and in literature.

Minimalist Raw

A collection of furniture that gives voice to the nobility of raw materials and natural wood, stone, metal ... Minimalist Design: simple and clean lines, direct and firm. Durable and environmentally friendly furniture for a beautiful, harmonious and simple decoration for your interior or exterior. Some pieces are tailor-made. Arteslonga. Pour en savoir plus, cliquez ici.

Luxury Movie Star 50s

The luxury of decoration and furniture world entirely handmade. Exclusive and unique furnishings in a Movie Star Mid-Century style. Haute Couture furniture for a clientele looking for excellence. These decoration furniture are custom-made and can also be made to measure. Arteslonga To find more, please click here.

Timeless

A selection of timeless furniture and objects. Maison Arteslonga 

Orientalist

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its breadth and vogue, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the west (the Maghreb) or the Levant (the Middle East). Born in the fascination of the Ottoman Empire, this exotic trend is associated with all the artistic currents of the 19th century, academic, romantic, realist or even impressionist. It is present in architecture, music, painting, literature, poetry…

Baroque

Italy is the birthplace of the Baroque. From the middle of the 16th century to the 18th century, the Baroque style marked European art and architecture, not to mention the fields of music and dance. Characterized by a taste for movement, dramatization and decorative exuberance, Baroque is a complex aesthetic paradigm that aims to surprise and move viewers. A large-scale movement, it quickly spread from Italy to the major countries of Europe. Rubens, Vélasquez, Caravaggio, Bernini… These few famous names reveal the influence on a European scale of the Baroque, which could be defined as a spirit contrary to that of classicism.

Proustian Era

An interior decoration collection inspired by the Napoleon III era and the beginning of the 20th century offering revisited furniture and decorative accessories for a unique and inspiring current decoration. The Napoleon III style is located between 1852 and 1870. Presents two very different aspects: the copy and the Napoleon III style itself. It consists, especially in the early years, of a mixture of different previous styles: Louis XIV, Boulle furniture; Louis XV for the living rooms: rockery and gilded wood, Louis XVI for the bedrooms; finally Renaissance for the dining rooms. Little by little it will take on its true character: blackened pear wood, mother-of-pearl inlays, small pieces of furniture, trinkets, padded seats.A collection of interior decoration inspired by the Napoleon III period and the beginning of the 20th century, offering furniture and decorative accessories revisited for a unique and inspiring current decoration.

Greco-Roman

Decorative art in the ancient Greco-Roman style, a unique style of decoration including magnificent sculptures, statues, busts, bodies and faces of remarkable craftsmanship.

Cabinet of Curiosities

The cabinets of curiosities are real little scientific museums which aimed to introduce people to the world, and in particular the distant world, at a time when airplanes did not exist. Cabinets of curiosities appeared during the Renaissance, in the second half of the 16th century; a time when we move to another phase of natural sciences, until then based on Aristotle and his metaphysical approach: until the end of the Middle Ages, we consider that there is a natural order, and that it is regulated . The scientists of the Renaissance, for their part, tried to understand, classify, bring all this scattered data, a little fanciful at times, into a more rational framework, which combines technique (discovery of the astrolabe and multiple instruments... ) to science. Have a good trip !

Ethnic Chic

The Ethnic Chic Deco Style.  The ethnic-chic decoration mixes influences and elements from different cultures and times. It's also a mixture of colours, textures and patterns. It's all about harmony.

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  • - Style: Carnet de Voyages XIXth
  • - Style: Raw - Minimalist
  • Alexeï Library XIXth Style - Separate Columns

    €3,260.00

    The Alexeï library has the particularity of having an "industrial" apothecary style from the beginning of the 19th century. The exterior patina is aged black, old wood interior finish.

    1 - The glass column is made up of a lower part with 2 sliding glass doors and 10 open storage lockers

    2 - The column with drawers is composed in the lower part of 6 drawers, 2 high sliding glass doors in front of 6 storage lockers, 4 open storage lockers.

    If you assemble 2 glass columns with a central column with drawers you can create a large and beautiful bookcase Bookcase 300cm long by 240cm high which will dress your wall in a majestic and playful way.

    The aged black patina and its old wood interior give it an old appearance as if it came from a natural history museum.

    This large bookcase will also go very well with an industrial style.

    Delivery to the ground floor exclusively or upon request for a quote.

  • Colonial Style Chair Rubberwood and Cannage

    €760.00

    A beautiful and elegant chair in the colonial style made of solid rubber wood for the structure, polyester fabric for the seat cushion and canework for the back and side of the armrests.

    This seat is crazy elegant and conveys a timeless natural chic thanks to a fluid design.

    A very beautiful seat to place around a large dining table or in your living room.

    Handmade item.

    Rubberwood is an exotic wood that is both hard and resistant and this solid chair can therefore support up to 120kg.

  • Engraving of Shah Jahan on Horseback 50x70cm

    €360.00

    Magnificent engraving of Shah Jahan parading on horseback.

    Beautiful warm and deep colors, aged carved wood frame.

    Dimensions of the glass pane: 50x70cm.

    Mirza Shahab-ud-Din Baig Muhammad Khan Khurram (5 January 1592 – 22 January 1666), also known as Shah Jahan I, literally 'King of the World', was the fifth Mongol emperor, reigning from 1628 to 1658. Under his reign, the Mongols reached the height of their architectural achievements and cultural glory.

    Third son of Jahangir (r. 1605-1627), Shah Jahan participated in military campaigns against the Rajputs of Mewar and the Lodis of the Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, the Shah Jahan Mosque and the Taj Mahal, where his favorite wife, Mumtaz Mahal, is buried. In foreign affairs, Shah Jahan presided over aggressive campaigns against the Deccan sultanates, conflicts with the Portuguese, and wars with the Safavids. He also put down several local rebellions and faced the devastating Deccan famine of 1630–32.

    In September 1657, Shah Jahan fell ill and appointed his eldest son Dara Shikoh as his successor. This appointment led to a succession crisis among his three sons, of which Shah Jahan's third son, Aurangzeb (r. 1658–1707), emerged victorious and became the sixth emperor, executing all of his surviving brothers, including the Crown Prince Dara Shikoh. After Shah Jahan recovered from his illness in July 1658, Aurangzeb imprisoned his father at Agra Fort from July 1658 until his death in January 1666.[6] He was buried next to his wife in the Taj Mahal. His reign is known for putting an end to the liberal policies initiated by Akbar.

    During Shah Jahan's era, Islamic revival movements like the Naqshbandi began to shape Mongolian politics.

  • Engraving of Aurangzeb 50x70cm

    €360.00

    Magnificent engraving of Aurangzeb parading on horseback.

    Beautiful warm and deep colors, aged carved wood frame.

    Dimensions of the glass pane: 50x70cm.

    Muhi al-Din Muhammad (c. 1618 – March 3, 1707), commonly known as Aurangzeb lit. 'Ornament of the throne' and by his royal name Alamgir I, lit. 'Conqueror of the world', was the sixth Mughal emperor, reigning from 1658 until his death in 1707.

    Under his reign, the Mongol empire reached its peak with a territory covering almost the entire Indian subcontinent.

    Widely considered the last effective Mongol ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was among the few monarchs to fully establish Sharia law and Islamic economics throughout the Indian subcontinent.

    Aurangzeb belonged to the aristocratic Timurid dynasty, held administrative and military positions under his father Shah Jahan (r. 1628–1658), and was recognized as an accomplished military commander. Aurangzeb was viceroy of Deccan in 1636-1637 and governor of Gujarat in 1645-1647. He jointly administered the provinces of Multan and Sindh in 1648-1652 and continued his expeditions into neighboring Safavid territories. In September 1657, Shah Jahan appointed his eldest and liberal son Dara Shikoh as his successor, a decision repudiated by Aurangzeb, who proclaimed himself emperor in February 1658. In April 1658, Aurangzeb defeated Shikoh's allied army and the kingdom of Marwar at victory. Aurangzeb's decisive victory at the Battle of Samugarh in May 1658 cemented his sovereignty and his suzerainty was recognized throughout the Empire. After Shah Jahan recovered from his illness in July 1658, Aurangzeb declared him incompetent to rule and imprisoned his father in Agra Fort.

  • Antique Parrots Engravings, Set of 2

    €864.00
    A set of two beautiful reproductions of engravings of magnificent flamboyantly colored parrots whose species have unfortunately disappeared.
    Engravings with powder pink marie-louis and very beautiful black wood ornamentation frame.
    Glass size: 50x70cm
  • Blue Lotus Engravings, Set of 2

    €680.00

    A set of two beautiful prints of magnificent large blue lotuses.

    Engravings with blue marie-louis and very beautiful frame with black wood ornamentation and silver edging.

    Glass size: 50x70cm

    The lotus is an aquatic plant whose flower is magnificent and which is magnified in these two large engravings in a beautiful blue color. This particular tone of blue has earned it the name of a shade, azure tending to sky blue: caeruleum blue (ceruleum).

    The blue lotus is actually a water lily.

    Although it bears the name Lotus, the Blue Lotus (in Latin Nymphaea caerulea Savigny) is actually a water lily.

    This aquatic plant grows on the edges of lakes and stagnant waters.

    Today, it has almost completely disappeared from the Nile region and it is cultivated mainly in Asia (China and Thailand).

    The blue lotus belongs to the family Nymphaeaceae (water lily family), group Apocarpiae, subgenus Brachyceras, and forms and subspecies None (cf. Slocum et al. 1996).

    Lotuses were the most widely cultivated ritual plants in ancient Egypt. They grew wild and had also been planted in artificial bodies of water (Hugonot 1992).

    The blue lotus was considered a sacred plant. The god of immortality and resurrection Nefertum was represented as a young man or a lion whose hair was decorated with a blue lotus flower. He offered the flower to the sun god Ra, to relieve the pain in his old body. The Egyptians especially appreciated their enchanting scent of hyacinth, their symbolism and probably also their intoxicating effects...

    Lotus buds and flowers were popular head and hair ornaments. The garlands placed in the tomb of Pharaoh Ramses II (1290-1223 B.C.E.) were almost entirely composed of white and blue lotus flowers (Germer 1988). Many buds, petals and garlands have been found as decoration for mummies or as funerary objects.

    In ancient Egypt, the blue lotus was closely linked to the concepts of the afterlife and rebirth. The flower represents enlightenment and the awakened consciousness of the deceased; it is “this lotus flower which shines in the earth” (Book of the Dead, chapter 174, line 30; cf. Dassow 1994).

    In the myth of the battle between Horus and Seth, the lotus flower appears as a symbol of the divine all-seeing eye: when Seth found Horus resting under a tree in an oasis, he plucked out both his eyes and buried them in the sand. After which they transformed into lotus flowers.

    Lotuses are rustic aquatic plants of absolute beauty, vigorous and imposing and can grow anywhere in France!