New Items

The large Edgard library consists of a double body and has the particularity of having an apothecary style from the beginning of the 19th century.

This large bookcase, made entirely of solid mango wood, is made up of 2 independent modules, top (dresser cabinet) and bottom (sideboard), which will dress your interior in a majestic way.

The two upper and lower parts can be offered for sale separately.

The aged black patina and its solid old mango wood interior give it an old look as if it had come out of a natural history museum.

The complete piece of furniture (upper and lower part) measures 430cm high by 218cm wide by 42cm deep. Total weight 170kg.

Dimensions of the upper glazed part which consists of 4 doors and 4 shelves:

Length: 218cm - Depth: 42cm - Height: 113cm

Dimensions of the lower part which consists of a single block of 4 doors and 4 drawers:

Length: 212cm - Depth: 40cm - Height: 92cm

This large bookcase will also go very well with an industrial style.

Delivery on the ground floor only.

For upstairs delivery, please contact us.

The Gotham sofa, a superb velvet sofa with its long fringes under the seat, wide armrests and deep seat to relax.

A top-of-the-range Italian craftsmanship made exclusively on request. A superb sofa in flamboyant cotton velvet with so original colors.

A remarkably comfortable piece that harmoniously combines originality, softness and romanticism.

Excellent and deep seat with great comfort.

The haute couture of furniture, a sublime and unique piece that can accommodate up to 4 people.

An exceptional piece with unique style and comfort.

The chair with a round seat, rattan backrest and metal legs.

Very beautiful handcrafted chair with a rattan backrest without weaving, an upholstered seat cushion and black-finish tubular metal legs.

Light and resistant, restaurant chair or kitchen chair.

Sturdy and lightweight non-stackable furniture.

A beautiful French craftsmanship, this folding chair is entirely handmade.

Overall width: 41 cm

Overall depth:

50cm

Overall height: 88cm

Seat width:

Wide seat (43cm), Standard seat (39cm)

Seat height :

45cm

Stackability:

Stackable

Availability: Made to order

Indoor/Outdoor: Semi-Outdoor

Colors:

Natural Fiber

Structure materials:

Steel, Light Rattan (Manila)

Weight: 5kg

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

Very welcoming armchair with its fully woven backrest.

This colorfully woven rattan armchair adds a colorful and caned touch to your interiors, to your terraces, hotels, restaurants or cafés.

Indoor / Outdoor: Semi-Outdoor

Overall width: 50 cm

Overall depth: 53 cm

Overall height: 78 cm

Weight: 6kg

Seat width: Wide seat (43cm)

Seat height: 45 cm

Height of the armrests: 62 cm

Stackability: Not stackable

Availability: Made to order

Weaving fibers: Brilliant (Rilsan)

Caning range: Basic

Colours: Brilliant Azure Blue, Brilliant Cream

Varnish and paint: Varnish

Structure materials: Dark rattan (Malacca)

Alternative Structure Materials: Outdoor – Aluminum Structure, Light Rattan (Manila), Dark Rattan (Malacca)

Chassis weaving finishes: Tradition

Rattan is a material with extraordinary properties but with limits. Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

This magnificent chandelier, with its imposing volume, offers a theatrical version thanks to the association of carved brass in the shape of a palm leaf and its taste buds in light and airy glass crystal.

The striking contrast between the lightness of crystal and the density of brass questions our perception of lightness and weight.

The Gabrielle chair. Superb handcrafted armchair in woven rattan.

Manufacturing on demand.

Welcoming with its fully woven backrest and its generous shapes, the Gabrielle armchair is an armchair for restaurants, bistros, cafés, gardens or dining rooms in woven rattan in the colors of your desires, non-stackable and is as beautiful inside as it is outside.

Very comfortable, the Gabrielle armchair is light and very resistant.

This armchair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, the Gabrielle armchair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Semi-Outdoor

Fiber: Satin (Raucord)

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat (43 cm).

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

Superb handcrafted rattan chair, made on demand.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this exceptional rattan chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, this chair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Indoor, Outdoor friendly

Fiber: Satin (Raucord)

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

Portofino armchair.

Superb lounge chair in cotton velvet from the famous Italian fabric brand Rubelli and compass base in gold-colored chromed metal. 

A design typical of 1950s lounge chairs.

A seat of excellent comfort, rounded backrest for perfect back support.

High-end contemporary Italian craftsmanship in materials of an irreproachable finish.

A velvet armchair with a design in the style of the 50s.

An exceptional seat with unique style and comfort.

Last items in stock.

Hamptons lounge chair.

Superb lounge chair in purple cotton velvet with pretty lime-colored fringes.

A typical design of long seats from the 1950s revisited.

A seat of excellent comfort, rounded backrest for perfect back support.

High-end contemporary Italian know-how in materials with an impeccable finish.

A velvet armchair with a 50s style design.

An exceptional seat with a unique style and invigorating colors!

The large library Alexei has the distinction of having a style both charm and industry.

This two body made entirely of pine is composed of 3 independent modules that will dress your wall in a fun way.

The aged black patina and its interior in natural wood color gives it an authentic charm.

The Alexeï library has the particularity of having an "industrial" apothecary style from the beginning of the 19th century. The exterior patina is aged black, old wood interior finish.

1 - The glass column is made up of a lower part with 2 sliding glass doors and 10 open storage lockers

2 - The column with drawers is composed in the lower part of 6 drawers, 2 high sliding glass doors in front of 6 storage lockers, 4 open storage lockers.

If you assemble 2 glass columns with a central column with drawers you can create a large and beautiful bookcase Bookcase 300cm long by 240cm high which will dress your wall in a majestic and playful way.

The aged black patina and its old wood interior give it an old appearance as if it came from a natural history museum.

This large bookcase will also go very well with an industrial style.

Delivery to the ground floor exclusively or upon request for a quote.

Magnificent engraving of Shah Jahan parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Mirza Shahab-ud-Din Baig Muhammad Khan Khurram (5 January 1592 – 22 January 1666), also known as Shah Jahan I, literally 'King of the World', was the fifth Mongol emperor, reigning from 1628 to 1658. Under his reign, the Mongols reached the height of their architectural achievements and cultural glory.

Third son of Jahangir (r. 1605-1627), Shah Jahan participated in military campaigns against the Rajputs of Mewar and the Lodis of the Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, the Shah Jahan Mosque and the Taj Mahal, where his favorite wife, Mumtaz Mahal, is buried. In foreign affairs, Shah Jahan presided over aggressive campaigns against the Deccan sultanates, conflicts with the Portuguese, and wars with the Safavids. He also put down several local rebellions and faced the devastating Deccan famine of 1630–32.

In September 1657, Shah Jahan fell ill and appointed his eldest son Dara Shikoh as his successor. This appointment led to a succession crisis among his three sons, of which Shah Jahan's third son, Aurangzeb (r. 1658–1707), emerged victorious and became the sixth emperor, executing all of his surviving brothers, including the Crown Prince Dara Shikoh. After Shah Jahan recovered from his illness in July 1658, Aurangzeb imprisoned his father at Agra Fort from July 1658 until his death in January 1666.[6] He was buried next to his wife in the Taj Mahal. His reign is known for putting an end to the liberal policies initiated by Akbar.

During Shah Jahan's era, Islamic revival movements like the Naqshbandi began to shape Mongolian politics.

Magnificent engraving of Aurangzeb parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Muhi al-Din Muhammad (c. 1618 – March 3, 1707), commonly known as Aurangzeb lit. 'Ornament of the throne' and by his royal name Alamgir I, lit. 'Conqueror of the world', was the sixth Mughal emperor, reigning from 1658 until his death in 1707.

Under his reign, the Mongol empire reached its peak with a territory covering almost the entire Indian subcontinent.

Widely considered the last effective Mongol ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was among the few monarchs to fully establish Sharia law and Islamic economics throughout the Indian subcontinent.

Aurangzeb belonged to the aristocratic Timurid dynasty, held administrative and military positions under his father Shah Jahan (r. 1628–1658), and was recognized as an accomplished military commander. Aurangzeb was viceroy of Deccan in 1636-1637 and governor of Gujarat in 1645-1647. He jointly administered the provinces of Multan and Sindh in 1648-1652 and continued his expeditions into neighboring Safavid territories. In September 1657, Shah Jahan appointed his eldest and liberal son Dara Shikoh as his successor, a decision repudiated by Aurangzeb, who proclaimed himself emperor in February 1658. In April 1658, Aurangzeb defeated Shikoh's allied army and the kingdom of Marwar at victory. Aurangzeb's decisive victory at the Battle of Samugarh in May 1658 cemented his sovereignty and his suzerainty was recognized throughout the Empire. After Shah Jahan recovered from his illness in July 1658, Aurangzeb declared him incompetent to rule and imprisoned his father in Agra Fort.

A set of two beautiful reproductions of engravings of magnificent flamboyantly colored parrots whose species have unfortunately disappeared.

Engravings with powder pink marie-louis and very beautiful black wood ornamentation frame.

Glass size: 50x70cm

The Albertine rattan chair.

Superb handcrafted rattan chair, made to order and which can be woven in your colors on request.

It is stackable, robust and light, CHR furniture par excellence.

The Albertine chair is one of the essential rattan chairs that adorns Parisian, Eastern and Western terraces.

Price upon request.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this beautiful chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French artisanal creation, entirely handmade.

Type: chair with 45cm wide seat

Stackability: stackable

Indoor/Outdoor: Semi-outdoor

Fiber: Brilliant (Rilsan)

Colors: Glossy Burgundy and Glossy Cream

Structure materials: Dark rattan (Malacca)

Weaving range: Classic

Seat height: 45cm

Overall height: 78cm

Overall width: 45cm

Overall depth: 51cm

Weight: 5kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even marshy Equatorial forests.

With its glass-like siliceous skin, this extremely strong and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept wet will end up slowly deteriorating and losing its resistance qualities.

The physical limits of rattan require precautions for use. On the terraces of Parisian cafes, the chairs can last for decades even though they are often in the rain all day for long periods. But they are stacked under cover every evening and can thus dry.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can remain outside throughout the “summer season”, the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rain without deteriorating.

But as soon as the season advances, the temperature drops, and there is a lot of condensation and humidity, the Rattan will gradually become humid, with long, heavy rains accentuating this deterioration. In practice, these are sensitive situations at the seaside.

It is then imperative to place the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the “bad season” arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your rattan furniture all year round is to put it under cover every day, every evening, as the Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: furniture must be stored “dry”. It can, however, be left outside during the day, but must be kept dry overnight.

During the “summer season”, the rest of the time, Rattan can remain permanently outside.

However, if there is lasting rain, you should only leave the Rattan in this rain for two or three days at most, before putting the furniture in a dry place so that it can dry. Only take it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

A pair of magnificent Toucans engravings made from collages of old juxtaposed engravings which are previously hand painted. 

A magnificent artisanal work of remarkable finesse executed in Italy according to an ancestral process. 

Within each frame an atmosphere is created by a juxtaposition of exquisite hand engravings which are engraved and printed on vintage presses from the 1800s.

Each image is printed in black and white, individually hand colored with gouache and in watercolor then cut out. 

Superb and one of a kind.

The Monroe armchair, superb armchair in the Belle Epoque style revisited in metal blue padded velvet with its long pale blue fringes and its delicately curved backrest.

Very high-end artisanal manufacturing carried out exclusively at your request. A superb velvet armchair padded with metallic blue cotton belonging to the same collection as the magnificent Monroe fringed sofa.

Like the Monroe sofa, the Monroe armchair takes inspiration from the iconic fashion theme, shaking up the scene and inviting guests with its fun and flirtatious ambiance.

The three fringes run along the front and back of the wide seat, supported by a curved back that completes its classic appearance.

A remarkably comfortable piece that harmoniously combines softness and romance.

Excellent seat with great comfort.

The haute couture of furniture, a sublime and unique piece.

An exceptional piece with unique style and comfort.

The Monroe armchair can be exclusively covered in the fabric of your choice from our collection, to do this, contact us: contact@arteslonga.com

DIMENSIONS

Width: 94 cm

Depth: 85 cm

Height: 90 cm

Seat height: 45 cm

Seat depth: 56 cm

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification. Foam in American standard CAL 117 for the USA. Padding with padding straps.

Flame retardant covering is available upon request.

Channeling the aesthetic of the Art Deco movement, the Le Magnifique sofa features a wonderfully elegant fan-shaped pattern, with its curved lines accentuated with a decadent and sumptuous finish.

Feminine curves are lovely highlighted by the different colored piping.

Very high-end artisanal manufacturing carried out exclusively at your request.

It is also presented to you in its 230cm version made in light gray velvet or leather.

A remarkably comfortable piece that harmoniously combines softness and romance.

Excellent seat with great comfort.

The haute couture of furniture, a sublime and unique piece.

An exceptional piece with unique style and comfort.

The Magnifique sofa can be exclusively covered in the fabric of your choice from our collection, to do this, contact us: contact@arteslonga.com

DIMENSIONS 280 - 4 seats

Width: 280 cm

Depth: 103 cm

Height: 83 cm

Seat height: 42 cm

Seat depth: 58 cm

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification. Foam in American standard CAL 117 for the USA. Padding with padding straps.

Flame retardant covering is available upon request.

The RockStone dining table.

The RockStone dining table is introduced here made of Carrara marble with a polished finish, 140cm wide.

Embodying the imposing presence of nature, the RockStone dining table is incredibly bold in design.

Made from a single block of marble, the RockStone table is cut and sculpted in marble.

She is one of incomparable strength but she also exudes calm.

Its incomparable design with faceted geometry is found in nature in its raw form.

Here represented in Carrara marble 140cm wide by 74cm high, the RockStone marble table weighs 350 kg!

This is its maximum size and we can create it from 40cm wide by a height of 40cm (coffee table).

An artisanal creation exclusively to order.

The shapes, materials and textures of nature are vividly immortalized in this piece.

The structure is cast in brass from magnolia branches, in order to be as close as possible to its natural form.

The marble base and top deepen the piece's connection to earth materials. The softness of marble and the robustness of textured brass bear witness to the paradox of nature: complex yet simple.

The Console Magnolia is introduced here using different materials:

- Travertine Romano stone top and base in natural finish; structure in cast brass, antique brass finish.

- Top and base in Guatemala green marble in polished finish with a cast brass structure, brass finish.

- Top and base in polished Carrara marble with a cast brass structure, brass finish.

This product is customizable with a top that can go from 110 cm minimum and 180 cm wide maximum.

Depth: not customizable

Height: not customizable

The possibilities of natural stones for the top and the base:

Carrara marble (polished or honed finish),

Negro Marquina (polished or honed finish),

Estremoz (polished or honed finish),

Estremoz Rose (polished or honed finish)

Guatemala Green (polished or honed finish)

Romano travertine (natural finish).

Concerning the cast brass base or structure:

Brass,

Antique brass,

Silver or antique silver,

Copper or antique copper.

Bananas brings to life the banana tree, with its elongated curved shape hosting hand-turned brass leaves. Emerging from a circular marble base, each leaf is connected to separate lighting tubes and features a uniquely chiseled texture, allowing the light to be both reflected and diffused along the surface, culminating in a stand out piece for any living space.

The Cute armchair has mid-century modern design appeal, with irresistible modern style.

The haute couture upholstery and detailed stitching, lacquered legs and piping highlight its voluptuous shape.

The curved lines of the Cute make it an essential element of freshness in any living space.

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification.

Foam in American standard CAL 117 for the USA.

Padding with zigzag springs.

Flame-retardant covering is available upon request. Entirely handmade.

The Cute armchair as in the photos:

COVERING: Cotton velvet, Peach color.

FEET: Glossy peach lacquer.

TAPESTRY :

Available in our fabrics except wild silk. Available in fabric provided by the customer.

FEET FINISHES:

Available upholstered, rosewood or ebony veneer, solid walnut, wenge stain or lacquered in all RAL colors, matt or glossy.

FOOT PROTECTION:

Brass, Nickel or Copper in Polished or Brushed finish.

FINISHES AVAILABLE ON REQUEST:

Feet: Gold, silver or copper leaf.

The Monroe sofa, large and superb sofa in the Belle Epoque style in padded velvet with its long fringes and delicately curved backrest.

High-end artisanal manufacturing carried out exclusively at your request. A superb velvet sofa padded with powder pink cotton.

The Monroe sofa takes inspiration from the iconic fashion theme, shaking up the scene and inviting guests with its fun and flirtatious ambiance. The three fringes run along the front and back of the wide seat, supported by a curved back that completes its classic appearance.

A remarkably comfortable piece that harmoniously combines softness and romance.

Excellent seat with great comfort.

The haute couture of furniture, a sublime and unique piece that can accommodate up to 4 people.

An exceptional piece with unique style and comfort.

The Monroe sofa can be exclusively covered in the fabric of your choice, to do this, contact us: contact@arteslonga.com

DIMENSIONS MONROE 280 - 4 seats

Width: 280 cm

Depth: 100 cm

Height: 91 cm

Seat height: 47 cm

Seat depth: 60 cm

DIMENSIONS MONROE 94 - 2 seats

Width: 94cm

Depth: 100 cm

Height: 91 cm

Seat height: 47 cm

Seat depth: 60 cm

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification. Foam in American standard CAL 117 for the USA. Padding with padding straps.

Flame retardant covering is available upon request.

The brilliant design of this velvet chaise longue, its finish and the quality of the velvet that covers the Shell sofa bring great intensity to the latter.

A majestic sofa of exquisite refinement that revisits the design codes of the 70s.

The curved, polished, slightly shiny brass base looks great.

Major decorative furniture to place in a living room, a hotel lobby or a lounge area to create a warm and cozy atmosphere.

The Shell bench is a bubble of happiness and comfort, a unique and fundamental piece of velvet furniture, for a luxurious and refined atmosphere.

The result of very high quality craftsmanship, the Shell armchair is made to order only.

A unique piece of furniture is an exceptional piece with unique style and comfort. Impeccable work.

The Cute armchair has mid-century modern design appeal, with irresistible modern style.

The haute couture upholstery and detailed stitching, lacquered legs and piping highlight its voluptuous shape.

The curved lines of the Cute make it an essential element of freshness in any living space.

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification.

Foam in American standard CAL 117 for the USA.

Padding with zigzag springs.

Flame-retardant covering is available upon request. Entirely handmade.

The Cute armchair as in the photos:

COVERING: Cotton velvet, Peach color.

FEET: Glossy peach lacquer.

TAPESTRY :

Available in our fabrics except wild silk. Available in fabric provided by the customer.

FEET FINISHES:

Available upholstered, rosewood or ebony veneer, solid walnut, wenge stain or lacquered in all RAL colors, matt or glossy.

FOOT PROTECTION:

Brass, Nickel or Copper in Polished or Brushed finish.

FINISHES AVAILABLE ON REQUEST:

Feet: Gold, silver or copper leaf.

Channeling the aesthetic of the Art Deco movement, the Le Magnifique armchair features a wonderfully elegant fan-shaped pattern, with its curved lines accentuated with a decadent and sumptuous finish.

Feminine curves are lovely highlighted by the different colored piping.

Very high-end artisanal manufacturing carried out exclusively at your request.

It is also presented to you in its 230 and 280cm version made in light gray velvet or leather.

A remarkably comfortable piece that harmoniously combines softness and romance.

Excellent seat with great comfort.

The haute couture of furniture, a sublime and unique piece.

An exceptional piece with unique style and comfort.

The Magnifique armchair can be exclusively covered in the fabric of your choice from our collection, to do this, contact us: contact@arteslonga.com

DIMENSIONS:

• Width: 93 cm
• Depth: 92 cm
• Height: 82 cm
• Seat height: 42 cm
• Seat depth: 58 cm

PRODUCT FEATURES

Solid wood structure.

100% PU foam with BS standard fire specification. Foam in American standard CAL 117 for the USA. Padding with padding straps.

Flame retardant covering is available upon request.

Sublime and graceful lounge armchair in cotton velvet, polished brass legs from our Luxe Movie Star collection.

Voluptuous and floral lines and look very Luxury movie star mid-century.

The Arum armchair is a contemporary mid-century style piece of furniture that pays homage to this era.

With matte aged brass legs and covered in rich cotton velvet upholstery, this modern velvet armchair adds a voluptuous and graceful touch to any interior decor.

A beautiful armchair made to order.

Entirely artisanal production and on request.

Manufacturing time: 6-8 weeks.

Also for sale on our site is the Arum sofa.

DIMENSIONS:

Width: 106 cm

Depth: 90 cm

Height: 80 cm

Seat height: 42 cm

Seat depth: 57 cm

Large Rotonde Hortense lounge chair in velvet, 2 colors available Ocher and English green.

Large, round velvet armchair with its golden fringes in the style of contemporary reinterpretation of Opera furniture, Cabaret from the Napoleon III years with its long fringes under the skirt.

A marvel for this round armchair of great originality which will embellish and brighten up the interior decoration of your house or apartment.

This luxurious rotunda armchair has a wooden structure made of solid pine

With its remarkable design and comfort, the Hortense armchair will find its place of choice to perfect the interior decoration of your living room or dining room in an apartment or house.

Remarkable velvet fabric (100% polyester) and an irreproachable piping finish for this timeless and upscale decorative piece of furniture.

A seat of exceptional comfort and perfect support thanks to a density of the seat and backrest of 30kg per m3.

Delivery by carrier by appointment.

A set of two beautiful prints of magnificent large blue lotuses.

Engravings with blue marie-louis and very beautiful frame with black wood ornamentation and silver edging.

Glass size: 50x70cm

The lotus is an aquatic plant whose flower is magnificent and which is magnified in these two large engravings in a beautiful blue color. This particular tone of blue has earned it the name of a shade, azure tending to sky blue: caeruleum blue (ceruleum).

The blue lotus is actually a water lily.

Although it bears the name Lotus, the Blue Lotus (in Latin Nymphaea caerulea Savigny) is actually a water lily.

This aquatic plant grows on the edges of lakes and stagnant waters.

Today, it has almost completely disappeared from the Nile region and it is cultivated mainly in Asia (China and Thailand).

The blue lotus belongs to the family Nymphaeaceae (water lily family), group Apocarpiae, subgenus Brachyceras, and forms and subspecies None (cf. Slocum et al. 1996).

Lotuses were the most widely cultivated ritual plants in ancient Egypt. They grew wild and had also been planted in artificial bodies of water (Hugonot 1992).

The blue lotus was considered a sacred plant. The god of immortality and resurrection Nefertum was represented as a young man or a lion whose hair was decorated with a blue lotus flower. He offered the flower to the sun god Ra, to relieve the pain in his old body. The Egyptians especially appreciated their enchanting scent of hyacinth, their symbolism and probably also their intoxicating effects...

Lotus buds and flowers were popular head and hair ornaments. The garlands placed in the tomb of Pharaoh Ramses II (1290-1223 B.C.E.) were almost entirely composed of white and blue lotus flowers (Germer 1988). Many buds, petals and garlands have been found as decoration for mummies or as funerary objects.

In ancient Egypt, the blue lotus was closely linked to the concepts of the afterlife and rebirth. The flower represents enlightenment and the awakened consciousness of the deceased; it is “this lotus flower which shines in the earth” (Book of the Dead, chapter 174, line 30; cf. Dassow 1994).

In the myth of the battle between Horus and Seth, the lotus flower appears as a symbol of the divine all-seeing eye: when Seth found Horus resting under a tree in an oasis, he plucked out both his eyes and buried them in the sand. After which they transformed into lotus flowers.

Lotuses are rustic aquatic plants of absolute beauty, vigorous and imposing and can grow anywhere in France!

Superb figurine of a flamboyant red crane made of porcelain and brass, 70cm high and 46cm wide.

A contemporary artisanal work of great beauty.

The bird's legs are made of brass.

A remarkable piece for a refined and unique interior decoration.

A set of two beautiful engravings by the 19th century Japanese artist Kono Baerei.

Engravings with black marie-louise and very beautiful frame in aged black wood and gold edging or with a large pink marie-louise and a thin black bamboo imitation frame.

Glass size: 55x80cm

Engravings representing cranes and beautiful peonies under glass.

Bairei became a student of the Maruyama school painter Nakajima Raishō at the age of eight, and then a student of the Shijō school painter Shiokawa Bunrin at the age of twenty-seven. He continued his education in the Nanga school style under Nakanishi Kōseki and Maeda Chōdō. With Gennyo, abbot of Higashi Hongan-ji, he traveled throughout Kyūshū and central Japan, making numerous drawings.

In 1878, Bairei began preparations for an art school, which opened in 1880 as the Kyoto Prefectural School of Painting. He left this school in 1881 and taught his students in his workshop until 1891. In 1893, he became a member of the Arts Committee of the Imperial Household. In 1894, he was commissioned to paint pieces of Higashi Hongan-ji.

Bairei was a prominent figure in Kyoto's artistic circles, where he organized and promoted artistic activities. He played a particularly important role in his educational work. His many students include Takeuchi Seihō, Kikuchi Hōbun, Kawai Gyokudō.

His own work, often characterized by bold brushstrokes, displays traditional charm and sensitivity.

Its flowers, birds (Kachō-ga), and landscapes show a touch of Western realism. Bairei is also known for his spontaneous woodcut sketches.