DESIGN & TRADE SERVICES

Wonderful engravings of landscapes and Palm trees. Framing and engravings entirely realized by hands.

These exquisite engravings are engraved and printed are  printed by hand, piece by piece.

A magnificent craftsmanship of remarkable size high 110cm

A wonder, a dream and a pure escape.

Very beautiful engravings of Orientalist Landscapes in the travel diary style of the late 19th century printed under glass.

Beautiful old-fashioned weathered wood frame.

A beautiful craftsmanship of remarkable beauty and large size: height 110cm.

A wonder, a dream and a pure escape.

Wonderful hand-printed palm prints. Framing and engravings entirely made and designed in Florence, Italy.

These exquisite engravings are engraved and printed on vintage presses from the 1800s. Each image is hand-printed, piece by piece.

Height: 121cm by 66cm in width.

A magnificent craftsmanship of remarkable finesse as only the artisans of Florence know how to do.

The handmade frame is made of tulip wood with a black patina.

A wonder, a dream and a pure escape.

Made exclusively to order. Deadline: 5 to 6 weeks.

Column Statue Idol Timor with a height of 283cm. Red carved wooden statue, originally from Timor Island. Dating back to fifty years, these statues are erected at the entrances of houses under construction during traditional rites. They thus bless the house and its inhabitants and embody the power of the gods or of Nature.

Superb engravings of Palm trees with butterflies printed by hand. Framing and engravings entirely made and designed in Florence, Italy

These exquisite engravings are engraved and printed on vintage presses from the 1800s. Each image is then hand colored, piece by piece.

A magnificent craftsmanship of remarkable finesse as only the artisans of Florence know how to do.

The handmade frame is made of tulip wood patinated in black bamboo style.

A wonder, a dream and a pure escape.

Made exclusively to order. Deadline: 5 to 6 weeks.

Two superb Relics made up of collages of prints and hand-painted seashells and corals. Watercolors made in Italy.

Wood frame in silver leaf. The sets are made by hand.

Framing and engravings entirely made and designed in Florence, Italy.

These exquisite engravings are engraved and printed on vintage presses from the 1800s. Each image is then hand colored, piece by piece.

A magnificent craftsmanship of remarkable finesse as only the artisans of Florence know how to do.

The handmade frame is made of tulip wood patinated in black bamboo style.

A wonder, a dream and a pure escape.

Made exclusively to order. Deadline: 5 to 6 weeks.

Magnificent Empire Style CandleHolder in Brass. A very nice presence for this one-of-a-kind candlestick with a height of 54 cm.

Set of 2 very beautiful reproductions of engravings of ancient Chinese vases. Each print is surrounded by an elegant distressed wood frame and clear glass.

Cage-style Tiered Display Brass Finish H35cm, Pair. Present pastries and cakes or precious decorative objects with the Cage shelf. This 3 tier display made with an antique brass finish is inspired by its design of colonial birdcages.

This jar is an exquisite alternative to the conventional decorative pot. Decorated with a beautiful hand-painted floral design, this red porcelain jar is inspired by ancient Chinese ceramics.

Completely hand painted.

Chinese craftsmanship.

A limited edition.

Height of this jar: 43 cm

This decorative white glazed ceramic jar decorated with beautiful blue drawings of wild bamboos and birds in the oriental style.

Entirely hand-painted, this contemporary enameled white porcelain jar is inspired by ancient Chinese ceramics.

Completely hand painted.

Italian craftsmanship.

A limited edition.

Height of this jar: 53 cm

Heron sculpture made in porcelain with its bronze paste and details mounted as a table lamp. All details are hand painted. Very beautiful handcrafted decorative object of great delicacy. An entirely handcrafted decorative object made in Italy. Magnificent.

Decorate your interior with the ethnic style Kenzo vase in bronze and yellow colors, entirely made of ceramic by hand.

This vase, embellished with handles, with atypical and generous shapes, is a decorative element that combines ethnic charm with the trendiest color of earthenware.

Ideal to place on a large solid wood table, a shelf or on the floor, its dimensions will make this vase a major part of your decoration.

The height of the Kenzo vase is 49 cm for 26 cm in diameter.

Please note that it is not waterproof and cannot contain water. Color variations or shadings are typical of this handcrafted glazed ceramic.

The Yuko box...

A box like no other in bronze and yellow colors, entirely made of hand-enamelled ceramic. A Japanese ethnic style.

This box, embellished with a lid with atypical and generous shapes, is a decorative element that combines ethnic charm with the color of the most trendy earthenware.

Ideal to place as a decoration on a table, a console or a shelf, its dimensions will make this atypical earthenware box an original piece of your decoration.

The height of the Yuko box is 36.5 cm for 17.5 cm in diameter.

Attention, the variations of colors or shades are typical of this handcrafted enamelled ceramic.

Decorate your interior with the ethnic style Koso vase in bronze and yellow colors, entirely made of ceramic by hand.

This vase, embellished with handles, with atypical and generous shapes, is a decorative element that combines ethnic charm with the trendiest color of earthenware.

Ideal to place on a large solid wood table, a shelf or on the floor, its dimensions will make this vase a major part of your decoration.

The height of the Kozo vase is 55 cm for 15 cm in diameter.

Please note that it is not waterproof and cannot contain water. Color variations or shadings are typical of this handcrafted glazed ceramic.

Superb ostrich figurine made of enamelled porcelain and brass with a total height of 76cm.

A current craft work of great beauty.

The legs of the bird and the plants are made of brass.

A remarkable piece for a refined and unique interior decoration.

Two round trays in red travertine, natural stone.

21cm diameter

Craftsmanship

Weight: 0.8 kg each

Chinoiserie vase in white ceramic with double handles with blue oriental floral motifs.

Completely hand painted.

Homemade.

A limited edition.

Vase height: 36 cm

Large vintage coffee table 180cm long made of solid teak.

A natural and ethnic style for this handcrafted vintage coffee table.

A unique piece of beauty!

A very beautiful coffee table in the raw and minimalist style that we love. To be placed in a large living room for a modern and refined interior decoration. A charming craftsmanship.

A large and elegant coffee table for a free and relaxed decoration.

In a seaside villa, a Haussmanian apartment or in a country house, this large and beautiful coffee table with its unique style will find its place harmoniously in your living space.

A large earth globe in soft tones of pink and pale green. On a black wooden cross base. 12 inches globe.Black and bronze terrestrial globe in vintage style on its mango wood stand.

Size of the globe: 32 cm in diameter and total height 43cm.

The base is made of turned solid mango wood in coffee color.

Crazy elegance.

A craftsmanship full of finesse and delicacy.

Create an aesthetic Art Deco touch in your living space with the Lady green octagonal mirror.

With its original silhouette and its bevelled mirrored glass segments, this very beautiful wall mirror in the Art Deco style will certainly embellish your interior with discreet luxury.

Inspired by the elegant contours of the Art Deco design era, its frame is green beveled mirrored glass drawn in an unusual octagonal shape.

A nice size of 1O5cm in height.

A beautiful one-of-a-kind decorative mirror.

Delivery by carrier. The greatest care is taken in its packaging and protection for your delivery.

The Ginkgo table lamp.

A superb beautiful lamp in the style of the 20s-30s with its beautiful Ginkgo-shaped leaves made of polished brass.

Its design makes this luminaire a decorative centerpiece and perfect for an environment with an exotic or Art Deco design. The Ginkgo lamp can be used elegantly placed in a modern design living room or a chic and elegant living room.

If you like the botanical jungle trend, the Ginkgo table lamp is a must for you! With its glamorous polished brass finish, elegant curves and intricate detailing, this arboreal beauty will lend tropical opulence to your home.

A vegetal and elegant light that will certainly embellish your interior decoration.

The Ginkgo lamp is a light entirely handcrafted in polished brass, a unique work of art.

2 bulbs type E27 - 40 watt - 220-240 Volt.

A large earth globe in soft tones of pink and pale green. On a black wooden cross base. 12 inches globe.Black and bronze terrestrial globe in vintage style on its mango wood stand.

Size of the globe: 21cm in diameter and total height 34cm.

The base is made of turned solid mango wood in coffee color.

Crazy elegance.

A craftsmanship full of finesse and delicacy.

Imposing armchair in vintage style but light, entirely woven with natural lamina, it can be woven "to measure" in synthetic fibre.

Available from stock, price on request.

This natural fiber armchair.

This large rattan armchair will embellish your kitchen, your living room, your terrace, your veranda or your restaurant.

Overall height: 80cm

Overall width: 64cm

Overall depth: 62cm

Weight: 7kg

Seat height: 45cm

Seat width: 43 cm wide seat

Indoor/Outdoor: Indoor (this furniture must absolutely remain dry.)

Colors: Cannage Natural blade

Stackability: Not stackable

Material: Light Rattan (Manila)

Fiber: Natural Blade

Finish: Glossy varnish

Possibility of weaving the Cruise line armchair in your colors, a made-to-measure production with the color of caning and the weaving of your choice (see photos).

Rattan, a material with extraordinary properties with limits. Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before drying the furniture to

so that it can dry out. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

Superb handcrafted rattan chair, made on demand.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this exceptional rattan chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, this chair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Indoor, Outdoor friendly

Fiber: Satin (Raucord)

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

Superb bench in the shape of a half moon in woven rattan is made exclusively to measure. This magnificent bench will contribute to the general atmosphere of your interior or exterior ambiance.

Handcrafted rattan bench, made to order.

Price upon request.

This marvelous cane bench is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this bench is light and very resistant.

A magnificent French craftsmanship, the Guinguette bench is entirely handmade.

Custom seat.

Stackability: not stackable

Indoor/Outdoor: Semi-outdoor

Fiber: Brilliant (Rilsan)

Colours: Gloss Bordeaux, Gloss Yellow, Gloss Putty

Structure materials: Light rattan (Manila)

Weaving range: prestige

Seat height: 45cm

Overall height: custom

Overall width: custom

Overall depth: custom

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

This rattan armchair, all woven in natural slats, is a great vintage classic for the garden, terrace, veranda from the 1920s. Supplied with its seat cushions.

We love its retro style from the banks of the Marne in the 1900s. As beautiful inside as it is outside, this armchair will enhance your kitchen, your living room, your terrace, your veranda or your restaurant.

This natural woven rattan armchair should be kept out of the rain.

A magnificent French craftsmanship, this caned rattan armchair is entirely handmade.

Overall height: 95 cm

Overall width: 61cm

Overall depth: 78cm

Weight: 7kg

Seat height: 45cm

Seat width: Wide seat 43cm

Indoor/Outdoor: Indoor only

Stackability: Not stackable

Material: Light Rattan (Manila)

Colors: natural fiber

Rattan is a material with extraordinary properties with limits. Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

The large Edgard library consists of a double body and has the particularity of having an apothecary style from the beginning of the 19th century.

This large bookcase, made entirely of solid mango wood, is made up of 2 independent modules, top (dresser cabinet) and bottom (sideboard), which will dress your interior in a majestic way.

The two upper and lower parts can be offered for sale separately.

The aged black patina and its solid old mango wood interior give it an old look as if it had come out of a natural history museum.

The complete piece of furniture (upper and lower part) measures 430cm high by 218cm wide by 42cm deep. Total weight 170kg.

Dimensions of the upper glazed part which consists of 4 doors and 4 shelves:

Length: 218cm - Depth: 42cm - Height: 113cm

Dimensions of the lower part which consists of a single block of 4 doors and 4 drawers:

Length: 212cm - Depth: 40cm - Height: 92cm

This large bookcase will also go very well with an industrial style.

Delivery on the ground floor only.

For upstairs delivery, please contact us.

The Gabrielle chair. Superb handcrafted armchair in woven rattan.

Manufacturing on demand.

Welcoming with its fully woven backrest and its generous shapes, the Gabrielle armchair is an armchair for restaurants, bistros, cafés, gardens or dining rooms in woven rattan in the colors of your desires, non-stackable and is as beautiful inside as it is outside.

Very comfortable, the Gabrielle armchair is light and very resistant.

This armchair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, the Gabrielle armchair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Semi-Outdoor

Fiber: Satin (Raucord)

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat (43 cm).

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

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Panneaux latéraux

Superb handcrafted rattan chair, made on demand.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this exceptional rattan chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French craftsmanship, this chair is entirely handmade.

Type: chair with wide seat 43cm

Stackability: Not stackable

Indoor/Outdoor: Indoor, Outdoor friendly

Fiber: Satin (Raucord)

Structure materials: Dark rattan (Malacca)

Weaving range: exceptions

Colours: Satin Beige – Pantone 7502, Satin Ultramarine Blue – Pantone 534, Satin Royal Blue, Satin Terracotta, Satin Olive Green – Pantone 5743

Seat height: 45cm

Seat width: Wide seat

Overall height: 81cm

Overall width: 58cm

Overall depth: 63cm

Weight: 7kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even swampy equatorial forests.

With its siliceous skin like glass, this extremely solid and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has its limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept damp will end up slowly degrading and losing its resistance qualities.

The physical limits of rattan imply precautions for use. On the terraces of Parisian cafes, the chairs can last for decades while they are often in the rain all day for long periods. But they are piled up every night under cover and can thus dry out.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can stay outside throughout the "summer season", the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rains without degrading.

But as soon as the season advances, the temperature drops, there is a lot of condensation and humidity, the Rattan will gradually become humid, the long and heavy rains accentuating this degradation. In practice, these are sensitive situations by the sea.

It is then imperative to put the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the "bad season" arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your Rattan furniture all year round, is to put it away daily, every evening, as Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: the furniture must be stored “dry”. It can however be left outside during the day, but must imperatively be put in the dry during the night.

During the "beautiful season", the rest of the time, the Rattan can remain permanently outside.

However, if a lasting rain arrives, the Rattan should only be left in this rain for two or three days at the most, before putting the furniture in the dry place so that it can dry. He only takes it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

A unique piece of beauty!

90 years ago a French cabinetmaker made a walnut table. It was transformed in 2023 by sanding with coarse salt so as not to attack the wood.

Its new matte black finish, a polyurethane varnish, protects the wood against spilled liquids, but allows this elegant piece of furniture to blend into a current decor.

With 42 cm depth, this leaves great decoration possibilities.

Its twin is currently available!

Dimensions: L 142cm x 42cm x H 73cm

A unique piece of beauty!

90 years ago a French cabinetmaker made a walnut table. It was transformed in 2023 by sanding with coarse salt so as not to attack the wood.

Its new matte black finish, a polyurethane varnish, protects the wood against spilled liquids, but allows this elegant piece of furniture to blend into a current decor.

With 42 cm depth, this leaves great decoration possibilities.

Its twin is currently available!

Dimensions: L 142cm x 42cm x H 73cm

The Alexeï library has the particularity of having an "industrial" apothecary style from the beginning of the 19th century. The exterior patina is aged black, old wood interior finish.

1 - The glass column is made up of a lower part with 2 sliding glass doors and 10 open storage lockers

2 - The column with drawers is composed in the lower part of 6 drawers, 2 high sliding glass doors in front of 6 storage lockers, 4 open storage lockers.

If you assemble 2 glass columns with a central column with drawers you can create a large and beautiful bookcase Bookcase 300cm long by 240cm high which will dress your wall in a majestic and playful way.

The aged black patina and its old wood interior give it an old appearance as if it came from a natural history museum.

This large bookcase will also go very well with an industrial style.

Delivery to the ground floor exclusively or upon request for a quote.

This panel, once brightly colored and finely carved, comes from the facade of one of the original houses of Toraja (Indonesia). Such panels served to establish the social rank of the householder and advertise his wealth. Each community developed its own characteristic imagery for these panels. Each one is time-worn, has its own distinct patina and is a unique and authentic collector's item.

Column Statue Idol Timor with a height of 283cm. Red carved wooden statue, originally from Timor Island. Dating back to fifty years, these statues are erected at the entrances of houses under construction during traditional rites. They thus bless the house and its inhabitants and embody the power of the gods or of Nature.

Beautiful Primitive wall panel, finely carved and painted bright colors worn by time.

Distinctive architectural element from traditional houses in southern Indonesia.

Magnificent engraving of Shah Jahan parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Mirza Shahab-ud-Din Baig Muhammad Khan Khurram (5 January 1592 – 22 January 1666), also known as Shah Jahan I, literally 'King of the World', was the fifth Mongol emperor, reigning from 1628 to 1658. Under his reign, the Mongols reached the height of their architectural achievements and cultural glory.

Third son of Jahangir (r. 1605-1627), Shah Jahan participated in military campaigns against the Rajputs of Mewar and the Lodis of the Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, the Shah Jahan Mosque and the Taj Mahal, where his favorite wife, Mumtaz Mahal, is buried. In foreign affairs, Shah Jahan presided over aggressive campaigns against the Deccan sultanates, conflicts with the Portuguese, and wars with the Safavids. He also put down several local rebellions and faced the devastating Deccan famine of 1630–32.

In September 1657, Shah Jahan fell ill and appointed his eldest son Dara Shikoh as his successor. This appointment led to a succession crisis among his three sons, of which Shah Jahan's third son, Aurangzeb (r. 1658–1707), emerged victorious and became the sixth emperor, executing all of his surviving brothers, including the Crown Prince Dara Shikoh. After Shah Jahan recovered from his illness in July 1658, Aurangzeb imprisoned his father at Agra Fort from July 1658 until his death in January 1666.[6] He was buried next to his wife in the Taj Mahal. His reign is known for putting an end to the liberal policies initiated by Akbar.

During Shah Jahan's era, Islamic revival movements like the Naqshbandi began to shape Mongolian politics.

Magnificent engraving of Aurangzeb parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Muhi al-Din Muhammad (c. 1618 – March 3, 1707), commonly known as Aurangzeb lit. 'Ornament of the throne' and by his royal name Alamgir I, lit. 'Conqueror of the world', was the sixth Mughal emperor, reigning from 1658 until his death in 1707.

Under his reign, the Mongol empire reached its peak with a territory covering almost the entire Indian subcontinent.

Widely considered the last effective Mongol ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was among the few monarchs to fully establish Sharia law and Islamic economics throughout the Indian subcontinent.

Aurangzeb belonged to the aristocratic Timurid dynasty, held administrative and military positions under his father Shah Jahan (r. 1628–1658), and was recognized as an accomplished military commander. Aurangzeb was viceroy of Deccan in 1636-1637 and governor of Gujarat in 1645-1647. He jointly administered the provinces of Multan and Sindh in 1648-1652 and continued his expeditions into neighboring Safavid territories. In September 1657, Shah Jahan appointed his eldest and liberal son Dara Shikoh as his successor, a decision repudiated by Aurangzeb, who proclaimed himself emperor in February 1658. In April 1658, Aurangzeb defeated Shikoh's allied army and the kingdom of Marwar at victory. Aurangzeb's decisive victory at the Battle of Samugarh in May 1658 cemented his sovereignty and his suzerainty was recognized throughout the Empire. After Shah Jahan recovered from his illness in July 1658, Aurangzeb declared him incompetent to rule and imprisoned his father in Agra Fort.