DESIGN & TRADE SERVICES

From the Kingdom of Queen of Sheba, exceptional small iconic stele, current reproduction of pieces that existed dating from the 3rd/1st century BC.

These steles are the remains of forgotten civilizations of the South Arabian Peninsula and more particularly of Yemen, a thousand-year-old country with dreamlike landscapes and unique architecture in the world.

For many, it remains the land of incense, “caravan routes” and the lands of the sultans.

Hand-carved from sandstone by our artisans, these steles were originally pillars. Rectangular in shape, with the effigy of stylized faces, they were sometimes engraved with the name of their owners.

These faces, always represented from the front with a straight nose, topped with eyebrow arches in strong relief, were framed by almond-shaped eyes and a small mouth with pursed lips.

Their stylization is remarkably abstract, their primitive appearance has inspired more than one artist of the modern era.

Patinas and wear due to time are skillfully reproduced in our workshops in a natural way.

They are each presented on a matte black “museum style” base.

The Albertine rattan chair.

Superb handcrafted rattan chair, made to order and which can be woven in your colors on request.

It is stackable, robust and light, CHR furniture par excellence.

The Albertine chair is one of the essential rattan chairs that adorns Parisian, Eastern and Western terraces.

Price upon request.

This cane chair is ideal for your terrace, in your garden but also for your interior.

Very comfortable, this beautiful chair is light and very resistant.

This chair will beautify your living room, your kitchen, your terrace, your veranda or your restaurant.

A magnificent French artisanal creation, entirely handmade.

Type: chair with 45cm wide seat

Stackability: stackable

Indoor/Outdoor: Semi-outdoor

Fiber: Brilliant (Rilsan)

Colors: Glossy Burgundy and Glossy Cream

Structure materials: Dark rattan (Malacca)

Weaving range: Classic

Seat height: 45cm

Overall height: 78cm

Overall width: 45cm

Overall depth: 51cm

Weight: 5kg

Varnish and paint: Varnish

Rattan, a material with extraordinary properties with limits.

Rattan is a vine of the Palm race, which grows in very humid or even marshy Equatorial forests.

With its glass-like siliceous skin, this extremely strong and light vine is particularly resistant to humidity, as are tropical woods, teak or others.

But this resistance has limits. Exposed to rain, rattan resists very well for a whole day or even a few days. But if this rain continues for too many hours, the humidity will gradually penetrate the Rattan, and day after day the material kept wet will end up slowly deteriorating and losing its resistance qualities.

The physical limits of rattan require precautions for use. On the terraces of Parisian cafes, the chairs can last for decades even though they are often in the rain all day for long periods. But they are stacked under cover every evening and can thus dry.

More generally, rattan can withstand rain for long hours without compromising its longevity, but must be able to dry regularly.

In practice, rattan furniture can remain outside throughout the “summer season”, the weather is hot and rather dry, continuous rains exceptionally last more than three or four days and Rattan withstands such rain without deteriorating.

But as soon as the season advances, the temperature drops, and there is a lot of condensation and humidity, the Rattan will gradually become humid, with long, heavy rains accentuating this deterioration. In practice, these are sensitive situations at the seaside.

It is then imperative to place the seats under shelter, a ventilated shelter to avoid progressive humidification as soon as the “bad season” arrives, in practice from mid-October to mid-March for a continental climate.

The alternative if you want to use your rattan furniture all year round is to put it under cover every day, every evening, as the Parisian terraces do.

In summary, 2 main principles to respect:

During the winter season (October 15 to March 15 in Europe) in all climates: furniture must be stored “dry”. It can, however, be left outside during the day, but must be kept dry overnight.

During the “summer season”, the rest of the time, Rattan can remain permanently outside.

However, if there is lasting rain, you should only leave the Rattan in this rain for two or three days at most, before putting the furniture in a dry place so that it can dry. Only take it out once the rain has stopped (In any case, a terrace cannot be used in the rain).

A pair of magnificent Toucans engravings made from collages of old juxtaposed engravings which are previously hand painted. 

A magnificent artisanal work of remarkable finesse executed in Italy according to an ancestral process. 

Within each frame an atmosphere is created by a juxtaposition of exquisite hand engravings which are engraved and printed on vintage presses from the 1800s.

Each image is printed in black and white, individually hand colored with gouache and in watercolor then cut out. 

Superb and one of a kind.

Ceramic vase, head of a Moorish woman, Sicily - Italy.

Handcrafted in ceramic, double fired and hand painted in Italy.

The moors were members of Muslim people of North Africa, of mixed Arab and Berber descent. In the 8th century they were converted to Islam and established power in North Africa, Sicily and Spain, where they established a civilization (756–1492).

THE LEGEND : 

During the Arab domination in Sicily, in Palermo city, there was an Arab Suburb called "La Kalsa".

In this small suburb was living a beautiful young lady who used to spend her time in taking care of the flowers on her balcony.

One day, a young moor was walking down the lady's balcony. He noticed the beauty of the lady and he truly fell in love with her.

He did not wait a minute to declare his love for her, and the beautiful young lady, impressed by the lover's boldness, started feeling the same love.

Unfortunately, the young moor was already married and was father of a few kids... as soon as the young lady found out that he would have left for going back to his family, she waited until the night and killed him while he was sleeping deeply. She cut his head and used it as a vase for her plants, so that she could have him forever by her side.

As the beauty of this vase was magnificent, all the neighborhood wanted to own a similar one.

From that moment, they decide to create ceramics moor heads as vases.

Magnificent traditional ceramic vase in the shape of a Moorish woman's head in green or malachite color - Italy. An extreme delicacy.

Handcrafted in ceramic, double fired. Completely made and painted by hand by the original artisan producer from Caltagirone - Sicily.

Distributed exclusively by Arteslonga.

The Moors were members of the Muslim people of North Africa, of mixed Arab and Berber origin. In the 8th century, they converted to Islam and established power in North Africa, Sicily and Spain, where they established a civilization (756-1492).

THE LEGEND :

During the Arab rule in Sicily, in the city of Palermo there was an Arab suburb called "La Kalsa".

In this small suburb there lived a beautiful young woman who spent her time taking care of the flowers on her balcony.

One day, a young Moor was walking under the lady's balcony. He noticed the beauty of the young lady and he fell in love with her.

He did not wait a minute to declare his love and the beautiful young girl, impressed by the lover's audacity, quickly felt the same love.

Unfortunately, the young Moor was already married and was the father of several children... as soon as the young woman discovered that he might leave to find his family one day, she waited until nightfall and killed him while he was sound asleep. She cut off his head and used it as a vase for her plants so that she could have him by her side forever.

As the beauty of this vase was remarkable, the whole neighborhood wanted to own one like it.

From this moment, the creation of vases in the shape of Moorish heads began...

Ceramic vase, male Moor's head with representation of beautiful yellow lemons, made entirely by hand in Sicily - Italy.

Handcrafted in ceramic, double firing and hand painted.

The Moors were members of the Muslim people of North Africa, of mixed Arab and Berber origin. In the 8th century they were converted to Islam and established power in North Africa, Sicily and Spain, where they established a civilization (756-1492).

THE LEGEND :

During the Arab domination in Sicily, in the city of Palermo there was an Arab suburb called "La Kalsa".

In this small suburb lived a beautiful young woman who spent her time tending to the flowers on her balcony.

One day a young Moor was walking under the lady's balcony. He noticed the beauty of the young lady and he fell in love with her.

He did not wait a minute to declare his love and the beautiful young girl, impressed by the audacity of the lover, quickly experienced the same love.

Unfortunately, the young Moor was already married and had several children ... as soon as the young woman found out that he could leave to find his family, one day she waited for night and killed him while he slept soundly. She cut off his head and used it as a vase for her plants so she could have him forever by her side.

As the beauty of this vase was remarkable, the whole neighborhood wanted to own a similar one.

From this moment, the creation of vases in the shape of the heads of Moors began...

A set of two beautiful prints of magnificent large blue lotuses.

Engravings with blue marie-louis and very beautiful frame with black wood ornamentation and silver edging.

Glass size: 50x70cm

The lotus is an aquatic plant whose flower is magnificent and which is magnified in these two large engravings in a beautiful blue color. This particular tone of blue has earned it the name of a shade, azure tending to sky blue: caeruleum blue (ceruleum).

The blue lotus is actually a water lily.

Although it bears the name Lotus, the Blue Lotus (in Latin Nymphaea caerulea Savigny) is actually a water lily.

This aquatic plant grows on the edges of lakes and stagnant waters.

Today, it has almost completely disappeared from the Nile region and it is cultivated mainly in Asia (China and Thailand).

The blue lotus belongs to the family Nymphaeaceae (water lily family), group Apocarpiae, subgenus Brachyceras, and forms and subspecies None (cf. Slocum et al. 1996).

Lotuses were the most widely cultivated ritual plants in ancient Egypt. They grew wild and had also been planted in artificial bodies of water (Hugonot 1992).

The blue lotus was considered a sacred plant. The god of immortality and resurrection Nefertum was represented as a young man or a lion whose hair was decorated with a blue lotus flower. He offered the flower to the sun god Ra, to relieve the pain in his old body. The Egyptians especially appreciated their enchanting scent of hyacinth, their symbolism and probably also their intoxicating effects...

Lotus buds and flowers were popular head and hair ornaments. The garlands placed in the tomb of Pharaoh Ramses II (1290-1223 B.C.E.) were almost entirely composed of white and blue lotus flowers (Germer 1988). Many buds, petals and garlands have been found as decoration for mummies or as funerary objects.

In ancient Egypt, the blue lotus was closely linked to the concepts of the afterlife and rebirth. The flower represents enlightenment and the awakened consciousness of the deceased; it is “this lotus flower which shines in the earth” (Book of the Dead, chapter 174, line 30; cf. Dassow 1994).

In the myth of the battle between Horus and Seth, the lotus flower appears as a symbol of the divine all-seeing eye: when Seth found Horus resting under a tree in an oasis, he plucked out both his eyes and buried them in the sand. After which they transformed into lotus flowers.

Lotuses are rustic aquatic plants of absolute beauty, vigorous and imposing and can grow anywhere in France!

Superb figurine of a flamboyant red crane made of porcelain and brass, 70cm high and 46cm wide.

A contemporary artisanal work of great beauty.

The bird's legs are made of brass.

A remarkable piece for a refined and unique interior decoration.

A set of two beautiful engravings by the 19th century Japanese artist Kono Baerei.

Engravings with black marie-louise and very beautiful frame in aged black wood and gold edging or with a large pink marie-louise and a thin black bamboo imitation frame.

Glass size: 55x80cm

Engravings representing cranes and beautiful peonies under glass.

Bairei became a student of the Maruyama school painter Nakajima Raishō at the age of eight, and then a student of the Shijō school painter Shiokawa Bunrin at the age of twenty-seven. He continued his education in the Nanga school style under Nakanishi Kōseki and Maeda Chōdō. With Gennyo, abbot of Higashi Hongan-ji, he traveled throughout Kyūshū and central Japan, making numerous drawings.

In 1878, Bairei began preparations for an art school, which opened in 1880 as the Kyoto Prefectural School of Painting. He left this school in 1881 and taught his students in his workshop until 1891. In 1893, he became a member of the Arts Committee of the Imperial Household. In 1894, he was commissioned to paint pieces of Higashi Hongan-ji.

Bairei was a prominent figure in Kyoto's artistic circles, where he organized and promoted artistic activities. He played a particularly important role in his educational work. His many students include Takeuchi Seihō, Kikuchi Hōbun, Kawai Gyokudō.

His own work, often characterized by bold brushstrokes, displays traditional charm and sensitivity.

Its flowers, birds (Kachō-ga), and landscapes show a touch of Western realism. Bairei is also known for his spontaneous woodcut sketches.