ART FRAMED

Cracked Water Lilies Canvas by C.Monet H145x113cm

A reinterpreted version of Claude Monet's painting straight out of the corridors of time.

Claude Monet's original canvas was reproduced in the painting workshop and then meticulously aged entirely by hand.

Every accident and loss, every crack or patina effect is never the result of chance...

All the details have been reproduced: rusty nails, stamp, traces of humidity and old frame... everything is there to make this reinterpretation more real than life.

Dimensions: H145 x 113 x 2cm

The Galatea canvas

A canvas straight out of the corridors of time.

Superb black and white print on canvas.

A wonderful "shabby chic" version of the painting by artist Martinus Rorbye.

Reproduction of the painting in the workshop then a meticulous aging carried out entirely by hand.

Every accident, every crack or patina effect is never the result of chance.

Like forgers devoted to your delight, our craftsmen have reproduced and played the detail card: rusty nails, stamps, traces of humidity, old labels, old chassis... everything is here to make this reinterpretation more real than life. .

A refined decor for your walls.

Dimensions: H116 x 89 x 2cm

Decorative panel carved and painted on wood: gold, silver and black frame.

Frame of 60x60 cm, thickness of 4 cm.

Birth of Venus Painting H113x161cm

A reinterpreted version of Alexandre Cabanel's painting straight out of the corridors of time.

The original canvas was reproduced in the paint shop and then meticulously aged entirely by hand.

Every accident and loss, every crack or patina effect is never the result of chance...

All the details have been reproduced: rusty nails, stamp, traces of humidity and old frame... everything is there to make this reinterpretation more real than life.

Dimensions: H113 x 161 x 2cm

Watercolor Butterflies Reproductions - Set of 2 Framed Paintings.

Set of 2 very beautiful watercolor reproductions of tropical butterflies. Each print is surrounded by an elegant dark brown frame with an aged effect gold border and clear glass.

Dimensions of each engraving: H70 x 55cm.

Guaranteed elegance.

A reinterpreted version of Pierre-Paul Prud'hon's painting straight out of the corridors of time.

The original canvas by Pierre-Paul Prud'hon was reproduced in the paint workshop and then meticulously aged entirely by hand.

Every accident and loss, every crack or patina effect is never the result of chance...

All the details have been reproduced: rusty nails, stamp, traces of humidity and old frame... everything is there to make this reinterpretation more real than life.

Dimensions: H145 x 96 x 2cm

Engraving "Love Baroque" available in two sizes 50x50 or 80x80cm.

Put under glass and black wood frame and old-fashioned gilding.

Simply beautiful.

A reinterpreted version of Pierre-Paul Prud'hon's painting straight out of the corridors of time.

The original canvas by Pierre-Paul Prud'hon was reproduced in the paint workshop and then meticulously aged entirely by hand.

Every accident and loss, every crack or patina effect is never the result of chance...

All the details have been reproduced: rusty nails, stamp, traces of humidity and old frame... everything is there to make this reinterpretation more real than life.

Dimensions: H129 x 88 x 2cm

Italian Renaissance Putti print available in two sizes 50x50 or 80x80cm.

Put under glass and black wood frame and old-fashioned gilding.

Simply magnificent.

A very large and beautiful canvas straight out of the corridors of time. A Shabby chic reinterpretation of the odalisque by Maria Fortuny.

The original canvas was reproduced in the paint shop and then meticulously aged entirely by hand.

Every accident and lack, every crack or patina effect is never the result of chance... everything is brought together here so that this reinterpretation becomes more real than life.

Dimensions: H149x239x2cm

A large and beautiful painting straight out of the corridors of time. A reinterpretation of Anthony van Dyck's work.

The original canvas was reproduced in the paint shop and then meticulously aged entirely by hand.

Every accident and lack, every crack or patina effect is never the result of chance... everything is brought together here so that this reinterpretation becomes more real than life.

Dimensions: H116 x 89 x 2cm

Our craftsmen have taken over Gilbert-Jean Amédé's masterpiece to offer you this "shabby chic" version straight out of the corridors of time. They first reproduced the painting in the workshop using a skilful process, then carried out a meticulous aging carried out entirely by hand. Each accident and loss, each crack or patina effect is never the result of chance... Like forgers devoted to your wonder, they have reproduced and played the detail card: rusty nails, stamps, traces of humidity and old chassis... everything is there to make this reinterpretation more real than life.

Allow a minimum production time of 4 weeks

A large and beautiful canvas straight out of the corridors of time. A Shabby chic reinterpretation of the odalisque by Maria Fortuny.

The original painting (56.9 cm × 81 cm) is on display at the National Art Museum of Catalonia in Barcelona.

The original canvas was reproduced in the paint shop and then meticulously aged entirely by hand.

Every accident and lack, every crack or patina effect is never the result of chance... everything is brought together here so that this reinterpretation becomes more real than life.

Dimensions: H113x161x2cm

Cracked Canvas H145x113cm, Portrait of a Young Woman.

A canvas straight out of the corridors of time.

Every accident and lack, every crack or patina effect is never the result of chance... everything is brought together here so that this reinterpretation becomes more real than life: rusty nails, stamp, traces of humidity and old chassis... .everything is brought together here so that this reinterpretation becomes more real than life.

Allow a minimum production time of 4 weeks

Magnificent set of 4 Giovanni Battista Piranesi engravings of reproduced Roman statues framed under glass.

Old black wood frame and gilding.

Absolutely perfect and respectful craftsmanship, rigorous and demanding.

A refined decor for your walls.

Dimensions of one engraving: Height 60cm by 40 cm wide.

Magnificent engraving of Shah Jahan parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Mirza Shahab-ud-Din Baig Muhammad Khan Khurram (5 January 1592 – 22 January 1666), also known as Shah Jahan I, literally 'King of the World', was the fifth Mongol emperor, reigning from 1628 to 1658. Under his reign, the Mongols reached the height of their architectural achievements and cultural glory.

Third son of Jahangir (r. 1605-1627), Shah Jahan participated in military campaigns against the Rajputs of Mewar and the Lodis of the Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, the Shah Jahan Mosque and the Taj Mahal, where his favorite wife, Mumtaz Mahal, is buried. In foreign affairs, Shah Jahan presided over aggressive campaigns against the Deccan sultanates, conflicts with the Portuguese, and wars with the Safavids. He also put down several local rebellions and faced the devastating Deccan famine of 1630–32.

In September 1657, Shah Jahan fell ill and appointed his eldest son Dara Shikoh as his successor. This appointment led to a succession crisis among his three sons, of which Shah Jahan's third son, Aurangzeb (r. 1658–1707), emerged victorious and became the sixth emperor, executing all of his surviving brothers, including the Crown Prince Dara Shikoh. After Shah Jahan recovered from his illness in July 1658, Aurangzeb imprisoned his father at Agra Fort from July 1658 until his death in January 1666.[6] He was buried next to his wife in the Taj Mahal. His reign is known for putting an end to the liberal policies initiated by Akbar.

During Shah Jahan's era, Islamic revival movements like the Naqshbandi began to shape Mongolian politics.

A superb shabby chic version straight out of the corridors of the time of the masterpiece of the Italian Baroque painter Giovanni Paolo Pannini.

Trained by the best perspective specialists, he began his career by devoting himself to the decoration of palaces with trompe-l'oeil, but acquired most of his fame through his imaginary views of ancient ruins.

The master's canvas was reproduced in the workshop and then meticulously aged entirely by hand. Each accident, each crack or patina effect is never the result of chance...

This magnificent reproduction plays the card of detail: rusty nails, stamp, traces of humidity, old labels, old stretcher... everything is there to make this reinterpretation more real than life.

Magnificent engraving of Aurangzeb parading on horseback.

Beautiful warm and deep colors, aged carved wood frame.

Dimensions of the glass pane: 50x70cm.

Muhi al-Din Muhammad (c. 1618 – March 3, 1707), commonly known as Aurangzeb lit. 'Ornament of the throne' and by his royal name Alamgir I, lit. 'Conqueror of the world', was the sixth Mughal emperor, reigning from 1658 until his death in 1707.

Under his reign, the Mongol empire reached its peak with a territory covering almost the entire Indian subcontinent.

Widely considered the last effective Mongol ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was among the few monarchs to fully establish Sharia law and Islamic economics throughout the Indian subcontinent.

Aurangzeb belonged to the aristocratic Timurid dynasty, held administrative and military positions under his father Shah Jahan (r. 1628–1658), and was recognized as an accomplished military commander. Aurangzeb was viceroy of Deccan in 1636-1637 and governor of Gujarat in 1645-1647. He jointly administered the provinces of Multan and Sindh in 1648-1652 and continued his expeditions into neighboring Safavid territories. In September 1657, Shah Jahan appointed his eldest and liberal son Dara Shikoh as his successor, a decision repudiated by Aurangzeb, who proclaimed himself emperor in February 1658. In April 1658, Aurangzeb defeated Shikoh's allied army and the kingdom of Marwar at victory. Aurangzeb's decisive victory at the Battle of Samugarh in May 1658 cemented his sovereignty and his suzerainty was recognized throughout the Empire. After Shah Jahan recovered from his illness in July 1658, Aurangzeb declared him incompetent to rule and imprisoned his father in Agra Fort.

A set of four beautiful reproductions of engravings of Amazon parrots and parakeets from Lemaire dating from the end of the 19th century.

Golden ornamentation frame.

Each engraving: H50cm by 40cm wide

Set of two bohemian paintings representing a leopard and a tiger in front of a floral background from Jarman Fagalde.

Engravings under glass with Marie Louise and wooden frame.

Glass dimensions: 57 x 77 cm

Jarman Fagalde is a contemporary artist and graphic designer who creates beautiful abstract, figurative, typography and illustration art perfect for any room in your home.

A large and beautiful canvas straight out of the corridors of time. A Shabby chic reinterpretation of the odalisque by Maria Fortuny.

The original painting (56.9 cm × 81 cm) is on display at the National Art Museum of Catalonia in Barcelona.

The original canvas was reproduced in the paint shop and then meticulously aged entirely by hand.

Every accident and lack, every crack or patina effect is never the result of chance... everything is brought together here so that this reinterpretation becomes more real than life.

Lying Woman Canvas H88x129cm

A set of two beautiful reproductions of engravings of magnificent flamboyantly colored parrots whose species have unfortunately disappeared.

Engravings with powder pink marie-louis and very beautiful black wood ornamentation frame.

Glass size: 50x70cm

Lady in Blue canvas with a height of H150 x 120cm

A contemporary canvas made by hand.

A pair of magnificent Toucans engravings made from collages of old juxtaposed engravings which are previously hand painted. 

A magnificent artisanal work of remarkable finesse executed in Italy according to an ancestral process. 

Within each frame an atmosphere is created by a juxtaposition of exquisite hand engravings which are engraved and printed on vintage presses from the 1800s.

Each image is printed in black and white, individually hand colored with gouache and in watercolor then cut out. 

Superb and one of a kind.

Magnificent small cracked painting representing the Colosseum and other monuments from the time of Ancient Rome mounted on an old wooden panel with wear and tear, a reproduction of the work painted by Giovanni Paolo Panini.

Presented on our small Flemish style easel in turned wood and with a resolutely dandy look, with its wedges like cufflinks.

Ideal for presenting small canvases, engravings or other drawing books. Here in its Antique black patina. It will go up and down depending on your formats!!

Table dimensions:

Height (cm): 33

Width (cm): 46

Depth (cm): 1

Small easel dimensions:

Height (cm): 67

Width (cm): 25.50

Depth (cm): 15

A set of two beautiful prints of magnificent large blue lotuses.

Engravings with blue marie-louis and very beautiful frame with black wood ornamentation and silver edging.

Glass size: 50x70cm

The lotus is an aquatic plant whose flower is magnificent and which is magnified in these two large engravings in a beautiful blue color. This particular tone of blue has earned it the name of a shade, azure tending to sky blue: caeruleum blue (ceruleum).

The blue lotus is actually a water lily.

Although it bears the name Lotus, the Blue Lotus (in Latin Nymphaea caerulea Savigny) is actually a water lily.

This aquatic plant grows on the edges of lakes and stagnant waters.

Today, it has almost completely disappeared from the Nile region and it is cultivated mainly in Asia (China and Thailand).

The blue lotus belongs to the family Nymphaeaceae (water lily family), group Apocarpiae, subgenus Brachyceras, and forms and subspecies None (cf. Slocum et al. 1996).

Lotuses were the most widely cultivated ritual plants in ancient Egypt. They grew wild and had also been planted in artificial bodies of water (Hugonot 1992).

The blue lotus was considered a sacred plant. The god of immortality and resurrection Nefertum was represented as a young man or a lion whose hair was decorated with a blue lotus flower. He offered the flower to the sun god Ra, to relieve the pain in his old body. The Egyptians especially appreciated their enchanting scent of hyacinth, their symbolism and probably also their intoxicating effects...

Lotus buds and flowers were popular head and hair ornaments. The garlands placed in the tomb of Pharaoh Ramses II (1290-1223 B.C.E.) were almost entirely composed of white and blue lotus flowers (Germer 1988). Many buds, petals and garlands have been found as decoration for mummies or as funerary objects.

In ancient Egypt, the blue lotus was closely linked to the concepts of the afterlife and rebirth. The flower represents enlightenment and the awakened consciousness of the deceased; it is “this lotus flower which shines in the earth” (Book of the Dead, chapter 174, line 30; cf. Dassow 1994).

In the myth of the battle between Horus and Seth, the lotus flower appears as a symbol of the divine all-seeing eye: when Seth found Horus resting under a tree in an oasis, he plucked out both his eyes and buried them in the sand. After which they transformed into lotus flowers.

Lotuses are rustic aquatic plants of absolute beauty, vigorous and imposing and can grow anywhere in France!

Portrait of a woman from the forties signed by d.Trenk. Size of the canvas unframed: 56 x 71 cm. painting, oil on canvas, framed painting, original work, original pièce of art, lifestyle art, unique pièce of art, original work

A set of two beautiful engravings by the 19th century Japanese artist Kono Baerei.

Engravings with black marie-louise and very beautiful frame in aged black wood and gold edging or with a large pink marie-louise and a thin black bamboo imitation frame.

Glass size: 55x80cm

Engravings representing cranes and beautiful peonies under glass.

Bairei became a student of the Maruyama school painter Nakajima Raishō at the age of eight, and then a student of the Shijō school painter Shiokawa Bunrin at the age of twenty-seven. He continued his education in the Nanga school style under Nakanishi Kōseki and Maeda Chōdō. With Gennyo, abbot of Higashi Hongan-ji, he traveled throughout Kyūshū and central Japan, making numerous drawings.

In 1878, Bairei began preparations for an art school, which opened in 1880 as the Kyoto Prefectural School of Painting. He left this school in 1881 and taught his students in his workshop until 1891. In 1893, he became a member of the Arts Committee of the Imperial Household. In 1894, he was commissioned to paint pieces of Higashi Hongan-ji.

Bairei was a prominent figure in Kyoto's artistic circles, where he organized and promoted artistic activities. He played a particularly important role in his educational work. His many students include Takeuchi Seihō, Kikuchi Hōbun, Kawai Gyokudō.

His own work, often characterized by bold brushstrokes, displays traditional charm and sensitivity.

Its flowers, birds (Kachō-ga), and landscapes show a touch of Western realism. Bairei is also known for his spontaneous woodcut sketches.

Reproductions of charcoal engravings.

Very elegant, these small wall display cases were originally intended to present a collection of drawings. Made of glass, they are hung on the wall as if suspended in the air, with the main advantage of their transparency.

Table on box * of folding painter - Scene n ° 1

* Open storage crate for paint artist tubes

H 52x70 cm

A wonderful "shabby chic" version of the masterpiece of the German painter and art writer Anton Raphaël Mengs (1728-1779), whose work is the most representative of neoclassical painting. Reproduction of the painting in the workshop then a meticulous aging carried out entirely by hand.

A very beautiful shabby chic version of the masterpiece of the painter and great Turkish art teacher Halil Passa, who was one of the first impressionists in his country. To offer you this "shabby chic" version straight out of the corridors of time, our craftsmen have reproduced by a clever process the painting in the workshop then proceeded to a meticulous aging carried out entirely by hand.

A marvelous "shabby chic" version of Turkish painter Halil Passa's masterpiece.

Reproduction of the painting in the workshop then a meticulous aging carried out entirely by hand.

Every accident, every crack or patina effect is never the result of chance.

Like forgers devoted to your delight, our craftsmen have reproduced and played the detail card: rusty nails, stamps, traces of humidity, old labels, old chassis... everything is here to make this reinterpretation more real than life. .

A refined decor for your walls.

Dimensions of a painting: H130 x 89 x 2 cm

A marvelous "shabby chic" version of "la femme à l'ombrelle"  de Claude Monet.

Reproduction of the painting in the workshop then a meticulous aging carried out entirely by hand.

Every accident, every crack or patina effect is never the result of chance.

Like forgers devoted to your delight, our craftsmen have reproduced and played the detail card: rusty nails, stamps, traces of humidity, old labels, old chassis... everything is here to make this reinterpretation more real than life. .

A refined decor for your walls.

We love and fully embrace the Klein Blue of this contemporary work which plays on relief, texture and light.

Immense azure of the Milky Way or an island floating in a blue sea seen from the sky?

Regardless, stars seem to twinkle like a constellation. So: depth or altitude? We leave you the choice to dream!

Example of a hand-painted decorative panel made on white tiles.

Made to order and tailor-made for a major fashion brand (Galeries Lafayette and Harrods).

An artisanal creation painted entirely freehand by our painters from the Ecole Nationale de Beaux Arts (painter and master glassmaker *) on the basis of a drawing sent by the client.

Double fired in oven, glued to fireproof OSB panel.

Dimensions: 100xH50cm.

* Our expertise  :

• decorative panels on walls,
• paintings on canvas,
• painting on tiles,
• painting on fabric,
• glass painting (churchs, castles, manors, etc.)

Contact us for your project!

Examples of our magnificent stained glass creations, decorations and frescoes on glass.

Achievements in France and abroad by our Master Glassmaker, graduate of the National School of Fine Arts.

From the simplest to the most sophisticated, our team of qualified artists are at your disposal for your projects.

Our know-how and our possibilities:

• stained glass and glass paintings,
• decorative panels on walls,
• paintings on canvas,
• painting on tiles,
• painting on fabric,

Contact us for your project!